Posted: December 14th, 2008
Contributed By: Nick
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Purchase @ MySpace Release Date: January 2009 |
| Bulletproof Messenger is: Marcus (Vocals) Voley (Guitar) Scott (Guitar) Jesse (Bass) Alex (Drums) Matt (Electronics) |
Overview: Finally, New York’s BulletProof Messenger are strapped with their sophomore record ‘Arm Yourself‘, the follow-up to 2006’s ‘The Crucial Line‘. All I’m gonna say is that if you don’t yet have ‘The Crucial Line‘, shame, shame, shame on you. But there’s no time for ridicule, because there’s a new BPM effort to talk about.
The Good: Well there’s good. Then there’s great. And then there’s ‘Arm Yourself‘. Once these gurus of groove crank the ignition with “This Fantasy”, you know you’re in for something special. Although steered by bossy riffs , “This Fantasy” has an undeniable warmth, contributed largely by voluptuous choruses and unbreakable melodies. The first three ticks of “Move On” are the audio doppelganger of Janet Jackson’s “If”, a dope connection to a gnarly pop hit. It doesn’t stop there, because like “If”, “Move On” is fed a healthy diet of crunchy guitars and forceful snare and bass drum thumps. Unlike “If”, the bridge of “Move On” is f—–g illin’! “DLD” might only be a brief segue into the following song, but BPM carves out a niche for the little guy, dropping bass chugs in that foreshadow the title track waiting on deck. “Arm Yourself” boasts a masterful dichotomy, a colorful and spirited number birthed by a down-tuned string section. Punchy and pepped up, “Control” is aptly branded to describe its chorus, an omnipotent team of titanic musicianship helmed by Marcus’ impassioned vocal urgency; BPM throws a real curveball with a rebel inspired epic solo, which makes you wonder what else the band can pull out of their hat. The intro of “No Way Out” is a melting pot of a trio of goodies: Silverchair’s “Abuse Me”, 3 Doors Down’s “When I’m Gone”, and Oasis’ “Champagne Supernova”. However the song travels its own path, floating unhindered down a stream of majestic and reflective splendor with an enviable effortlessness. After a rousing intro from the pages of Depeche Mode and The Cure, “Wasted” rolls on with blazing consistency. The bridge is when “Wasted” truly shines, an equal part tribal and ethereal séance and a perfect way for the band to peak. “Where We All Belong” is like Prince, in that success and talent never waned despite an identity crisis. From a Baroque era piano lullaby, to romanticized synth-rock, to a macho, pre-grunge anthem, “Where We All Belong” proves the versatility of its six creators. The runway ready chorus of “Grand Disaster” is dressed for success, sweeping and peachy and with an overwhelming amount of sincerity and charm. BulletProof Messenger is still blowing steam by the time “Step Out” comes knocking, a stale ending out of the question. “Step Out” starts off with an eerie, samba-ish build up, tip-toeing into verse one and then letting it ride, as it gradually becomes more involved. After one last riotous eruption, “Step Out” begins the album’s final descent with the samba pattern from earlier, this time infused with a suave smooth jazz vibe that carries you to the end; this best proves the trend of ‘Arm Yourself‘, that BulletProof Messenger continuously outdo themselves.
Special praise is in order for “Lose It All”, a 3 minute 17 second audio-definition of beauty. I guarantee you will lose yourself in the rapture of this dynamically brilliant song. What pulled me in were the uber-hooky harmonies beaming from the chorus, as well as the energy and radiance of the post-chorus jams. I’ve listened to “Lose It All” 18 times and counting and I still get goosebumps every time.
The Bad: I had to dig HARD for my only two gripes about ‘Arm Yourself‘. The progression of the chorus of “Grand Disaster” sounds almost too close to the chorus of “On My Own” by Hedley and BPM would have benefited from taking the bridge of “Wasted” and running with it a bit longer. That’s about all I got.
Bottomline: Wow, what an album. The fact that BulletProof Messenger remains unsigned is not only scary but an injustice. ‘Arm Yourself‘ has left me speechless.
Rating: 9.5 out of 10












22 Responses to “Review: BulletProof Messenger – ‘Arm Yourself’”
I fully plan on buying this album.
I
Want
This
Now
It’s not bad, but not great.
Yes. I invested in these guys at Sellaband.com about 2 years ago to help raise $50k to get this album made. I should have a few copies arriving on my doorstep shortly.
3 songs I’ve heard on MySpace are alright, nothing that would stand up to the Crucial Line.
It’s amazing. It’s a bit overwhelming at first because it has SO much to live up to against their previous release, and anything you are looking forward to that much can take a bit to realize how good it actually is. So it does take a few listens to let it match up to Crucial Line, but it does. These guys are geniuses.
someone get these boys a record deal…
aka Tunelab, lol.
getting BPM a record deal has now been officially added to my personal bucket list
I totally agree with Nick’s review in every repect.The only difference I would give is a perfect 10..yes it is that good.
These guys are surely going to blow huge in 2009 and will make a major label a lot of money.
What the hell is up with that previous comment of mine I never made, lol?
Little drunk tunelabing, Mike? Anyway, just preordered this bad boy. You get an mp3 download too so that was nice. Thats how it should be done. Mp3 download on the day of the release with the cd in the mail to follow. Seriously, this digital music era is pissing me off. Call me old fashioned (I’m only 19) but I want a hard CD. Digital downloads should be for instant gratification and singles only. I went to a mall the other day and I found out that there was no music store in the whole mall. That’s thanks to ITunes right there.
To be honest, I find myself using CD’s less and less every day. Normally I just plug my iPhone into my car, and listen to anything I want right from my phone. I have to say that I haven’t popped in a CD in probably about a month or two. I really don’t have much use for them anymore, except to collect the album art. I’m older than you, Napkin, (23) and probably more old fashioned than a lot of people here, but I gotta say, I love the convenience of having any song I want at my fingertips!
Hey I love my Ipod. I’m just saying that we shouldn’t abandon the good ol’ CD.
It wasn’t mean Napkin. First of all I’ve never even heard of this band and second of all if I’ve heard of them I wouldn’t invest money to help them out. No one invests money for me to fulfill my dream so why should I help out some band. The only support their getting is me buying CDs and going to concerts. No one gets free money from me.
Someone must have hacked into my account or something. I don’t know.
a disappointment overall compared to The Crucial Line. there isn’t a song on here that stands up to a top-tier song on The Crucial Line. not a bad album, just nothing spectacular like The Crucial Line. 7.5/8
I like this band a lot .. definitely label-worthy .. my only fear is that the singer sounds like Trapt’s singer.
Just got Crucial Line, and I can’t wait to get this. great band, I really like the electronics used
Didn’t really care for Crucial line….i think the only song i really got into was “Wake Up Call”
Wow, good call. Nice review.
Shame indeed, on Crucial Line. Leaves me wondering how I missed these guys…
Oh wait. Some idiot hasn’t signed them yet.
I agree with Nick this album is more than great, it is totally awesome, left me speechless and if these guys are not signed up soon I dispair of the music industry. These guys are geniuses and should be becoming huge. 10/10 for me. Please get the recognition you deserve and then you can come to London, UK and blow away us English fans.
Im certainly enjoying this album. It reminds me of Trapts first CD’s. Definitely a breath of fresh air in today’s mundane music scene.